Audio Quality for the 21st Century

audio-spectral

I will preface this by saying that I have no formal training and have taken no classes on audio engineering. It is just something that for some reason I find fascinating. All I know about audio quality comes from years of music pirating and hanging around internet forums. I will try to write this as simply as possible so people can understand it without prior knowledge, but feel free to comment on anything that is unclear. I am hoping that people read this and maybe learn a thing or two, although I will acknowledge that I probably speak for a rather small demographic.

my-setup
My modest setup (I will clean soon, I swear!)

After getting serious about music I bought a decent stereo and speakers. Then I bought a nice turntable that will hopefully last me for a few years. I began to buy records after I realized that with a free computer program I could make an exact copy of a CD onto my hard drive (I realize you can rip vinyl too, but doing that and preserving quality is tough and expensive). What is this CD ripping program called? For good reason it is called Exact Audio Copy and is the premier CD ripping choice of pirates and audiophiles everywhere (using Windows). It is nice that iTunes can rip a CD in five minutes, but it can do this because it makes a small, low quality reproduction of every track. Exact Audio Copy is perfect for digitizing your CD collection because you won’t be losing any quality when you rip your CDs. Each track will retain the minute details that give music a fuller, more warm sound. I realize that the program can seem scary at first, as it certainly was to me. Luckily, a great community exists that will help you if you want. It is not hard to learn, and should only take about a half hour to set up. After that you should be set and ready to digitize all those CDs just sitting on your shelf! Just follow the instructions here.

Sure, you will lose the experience of putting the CD into your player/computer but was that ever much of an experience anyway? The only annoying thing about the program is that your CDs will only work if they are not scratched. This thing is sensitive. And I mean super-sensitive. Luckily, there is a solution for all your scratched CDs and that is Brasso! Here is a tutorial that has saved many CDs for me.

You can rip the CDs to many formats with EAC, but the most used are MP3 (not a perfect copy) or FLAC (the perfect one!). Of course, ripping to FLAC will create huge files on your computer…and what is a FLAC anyway? Well, it is easiest to explain FLAC as the highest quality rip you can get from your CD (assuming you have set up EAC correctly). That is why file types like FLAC or ALAC (Apple’s equivalent to FLAC) are called “lossless,” while MP3 or AAC files are compressed, or “lossy.” You can’t play FLACs in iTunes, which I understand is a deal breaker for a lot of people. I mostly reserve FLAC files for types of music that will benefit from a ridiculous amount of quality; think post-rock, classical, or Dark Side of the Moon. The amount of quality you want will depend on your audio setup and your ability to distinguish “the details” in your music.

Not All MP3s Are Created Equal

dl-codes

I have noticed that labels (at least “indie” labels) are becoming more progressive and actually including free MP3 downloads with their vinyl. I think that is a great step forward, but personally…those are useless for me. Again, I will acknowledge that I am probably a minority in this respect, but I know there are some people who are as obsessive about their music quality as I am. Most of the time I buy a record because I have listened to it on my computer, which means I already have the files. It’s only a minor point, but if actual high quality MP3s were given I think it would improve the label’s image in the eyes of the technology savvy listeners and give a better listening experience to those who choose to enjoy the music on their computers.

The quality of the included MP3s is also an issue. Even labels advertising high-quality MP3s don’t quite have it right. I hope I don’t lose you in the next few lines, but some distinctions must be made. There are a few different MP3 encoders that you can use, the main ones being Xing, FhG, and LAME. They all work a little differently and the quality is not the same across the board. LAME is generally agreed upon as the encoder that offers the best and widest range of quality. More technically, the highest kbps that an MP3 can reach is 320, but this can be overkill depending on what type of music you are listening to. Kbps (kilobits per second) or bit rate refers to the amount of information or quality in each track (this is not exactly right but the complicated explanation would be way too long and I’m sure I couldn’t do it justice anyway). To save hard drive space you can use the variable settings, V0 to V8, in EAC to encode. Basically, these cut out the dead space in the music file, with a very small reduction of quality (based on which number, 0-8, you use). The numbers, 0-8, tell the encoder what bit rate to aim for, with 0 aiming for the highest and 8 for the lowest. For example, if you are listening to Bon Iver there will be more space that can be cut out than if you were listening to say…Metallica. So, the encoder will go through and the bit rate (in kbps) will be variable (VBR), constantly changing depending on the intensity/loudness of the music. This will save more space than if you use a constant bit rate (CBR), which will encode everything at 320, 128 or whatever kbps you want. All MP3s are drastically reduced in size and somewhat in quality, which is why people use them. Many people don’t have the space for thousands of high quality FLAC files.

Still with me?

For music, an average aspiring audiophile it satisfied with either V0 or V2 settings, depending on how anal they are/if they think they can tell the difference in reduction of quality. V8 is usually reserved for audiobooks and spoken word. Personally I prefer V0 because V2 sounds slightly dull to me.

I know most people don’t care. They will continue to buy from iTunes and use it to rip their CDs. By all means, continue. We all have our priorities but music is my life. I’ve taken the plunge into a world of audio and I can’t go back now. My world is FLAC, V0 MP3, 24/96 vinyl rips, and sweet sweet analog vinyl. You can join me if you want. I hope I have helped and I am open for any questions you might have.

Edit: Asthmatic Kitty (Great indie label that includes Sufjan Stevens, My Brightest Diamond, and more) are now offering a FLAC download of this Royal City album when you purchase it on vinyl…cool!

We Are Hex, Waxeater, Yea Big + Kid Static, and Trophy Wives at The Statehouse 24 April 2009

Little 500 weekend has now passed and Bloomington is universally hungover. I did not go to the race (Little 500 is a huge bike race/excuse to drink for a week straight) but I’m sure it was great. I also did not drink any alcohol while the sun was out, but I still had a pretty fantastic weekend. Friday night there was a dirty, messy show at The Statehouse and it was crazy. I’m pretty bummed that I missed Skin Mags play but I’m sure I’ll catch them again in the future. I liked every band but We Are Hex put on a hell of a show. They sound a lot more punk/loud in concert than on their record.

Here are the pictures I was able to unearth from the depths of a basement at Grant and Wylie:

The Statehouse 24 April 2009 (19 of 30)
The Statehouse 24 April 2009 (20 of 30)
The Statehouse 24 April 2009 (28 of 30)
The Statehouse 24 April 2009 (22 of 30)
The Statehouse 24 April 2009 (30 of 30)
We Are Hex

The Statehouse 24 April 2009 (14 of 30)
The Statehouse 24 April 2009 (12 of 30)
The Statehouse 24 April 2009 (13 of 30)
The Statehouse 24 April 2009 (18 of 30)
The Statehouse 24 April 2009 (17 of 30)
Waxeater

The Statehouse 24 April 2009 (8 of 30)
The Statehouse 24 April 2009 (7 of 30)
The Statehouse 24 April 2009 (10 of 30)
Yea Big + Kid Static

The Statehouse 24 April 2009 (2 of 30)
The Statehouse 24 April 2009 (3 of 30)
The Statehouse 24 April 2009 (5 of 30)
The Statehouse 24 April 2009 (4 of 30)
Trophy Wives

As per the usual, the rest are up on my Flickr.

Found Objects at Culture Shock 2009

I realize I haven’t posted in a while and I apologize. My life has been hectic and will continue to be that way for a while, what with finals and all. Culture Shock went off without a hitch and was a lot of fun. I took the day off from my usual journalistic duties…almost. I have been experimenting with some video for the blog and here is my first one. Found Objects were great at Culture Shock and they were at the beginning of a great day of music.

This is Found Objects playing the song “Voiles.”

I will post more as I can. There are some great shows coming up so stay tuned!

Live from Bloomington Club Night 2009 Picture Recap

LFB Club Nights 2009 (1 of 27)
Obama Loves LFB

Thanks to everyone who came out to the Club Night shows and supported local music and Hoosier Hills food bank. I was running around like a mad man trying to catch as much as I could. I was happy with the turnout at The Root Cellar especially. All the bands I saw were great, so my hat is off to all of them. Here is a snippet of what I caught, the rest are on my Flickr:

LFB Club Nights 2009 (3 of 27)
LFB Club Nights 2009 (5 of 27)
LFB Club Nights 2009 (2 of 27)
The Country Death

LFB Club Nights 2009 (14 of 27)
LFB Club Nights 2009 (13 of 27)
Jonah Malarsky

LFB Club Nights 2009 (17 of 27)
LFB Club Nights 2009 (18 of 27)
Red Bird (Mike Bushman solo)

LFB Club Nights 2009 (9 of 27)
LFB Club Nights 2009 (10 of 27)
LFB Club Nights 2009 (12 of 27)
Spirit Spine

LFB Club Nights 2009 (20 of 27)
LFB Club Nights 2009 (21 of 27)
LFB Club Nights 2009 (19 of 27)
Alexander the Great

LFB Club Nights 2009 (26 of 27)
LFB Club Nights 2009 (24 of 27)
LFB Club Nights 2009 (22 of 27)
LFB Club Nights 2009 (25 of 27)
Red Bird (with improvised lineup)

Thanks again to everybody who made it out and to LFB Director Nicole O’Neal for running a tight ship and getting it all put together.

The Mountain Goats, John Vanderslice, and The Tallest Man on Earth Picture Review 6 April 2009

6 April 2009 (26 of 28)
The two Johns

I have to preface these pictures by saying that this concert was one of the best I have been to in a long time. I think one-man acoustic shows are great and can really suck you into the music. The better ones I have seen recently include Elvis Costello and A.A. Bondy. This concert was great because it was back to back to back greatness. The concert was the last on their tour, and was special for John Darnielle (The Mountain Goats), who was born in Bloomington. John Vanderslice and John Darnielle were both pretty chatty the whole time and all three musicians (including The Tallest Man on Earth) were exceptionally goofy the whole evening. I would also like to personally thank John Vanderslice for getting everybody to stand up around (and even on) the stage. I hate it when everybody at shows sits down, so thank you John Vanderslice.

Another thing. It really bugs me when people at shows get upset for musicians wanting to talk to them. If they want to tell a story let them tell the story. Personally, I love hearing them talk about their work, or anything really. It lets you hear another side of them that you don’t get on the record. And that’s why people go to shows, right?

Enough of that. Here are the pictures:

6 April 2009 (10 of 28)
6 April 2009 (8 of 28)
6 April 2009 (3 of 28)
6 April 2009 (12 of 28)
The Tallest Man on Earth

6 April 2009 (14 of 28)
6 April 2009 (17 of 28)
6 April 2009 (15 of 28)
John Vanderslice

6 April 2009 (28 of 28)
6 April 2009 (21 of 28)
6 April 2009 (19 of 28)
6 April 2009 (18 of 28)
John Darnielle (The Mountain Goats)

As always, you can see all of them at much better quality on my Flickr.

Check out the Daytrotters for John Vanderslice and the two for The Mountain Goats. (They are free!):

John Vanderslice
The Mountain Goats I
The Mountain Goats II

Live from Bloomington Club Night 2009

lfb-phone

Live from Bloomington is the Indiana University Union Board group that hosts the free NOISE shows every week. If you aren’t familiar with those shows, you should check some of my old posts about them. They feature great local bands and being free is always a plus. Live from Bloomington Club Night coincides with the release date for the Live from Bloomington 2009 CD, which is a compilation of bands from the Bloomington (and surrounding) area, selected from a large pool of entries.

Club Night takes place over the course of two days and features 19 artists at 7 different venues around Bloomington. The cost is $5 or $3 and 2 canned goods. Why canned goods you might ask? Well, because all the proceeds from ticket sales and CD sales ($5 each) go to the Hoosier Hills Food Bank. So basically you will be seeing awesome music and donating to a good cause at the same time. Whether you like it or not, you will be helping people that night. Isn’t that great (unless you’re Ayn Rand)? What is also great is that once you pay to get into one venue, you can go to as many of the other venues as you want that night! Since there are 5 venues the first night and 4 venues the second night you will be getting your money’s worth on either night.

Thursday, April 9th is set up to be the 21+ night (although The Cinemat is all ages), while Friday, April 10th is an all ages night.

So without further ado, here are the lineups for the different venues:

21+ Thursday:

Spirit Spine
Spirit Spine

The Cinemat
9pm
Spirit Spine
e.p. hall
Alexander the Great
Spank Ray
(All Ages)

mike-from-red-bird
Mike Bushman from Red Bird (photo by David Hassell)

Rachael’s Cafe
8pm
Jonah Malarsky
Red Bird
The Country Death

27 March 2009 (13 of 16)
Tammar (Photo by me)

The Root Cellar (FARM Bloomington)
9pm doors, 10pm show
FESO
Jenn Cristy
Tammar
Everybody

eric-radoux1
Eric Radoux (Photo by Jenna Berris)

Player’s Pub
8pm
The Pirate Flags
Eric Radoux
Secrets Between Sailors
Trio in Stereo

NOISE 5 February 2009 (13 of 17)
Impure Jazz (Photo by me)

Uncle Fester’s
9pm doors, 10pm show
Impure Jazz
You’re A Liar
Applecore
Coyaba

All Ages Friday:

jonah-malarsky
Jonah Malarsky

The Cinemat
9pm
Jonah Malarsky
Secrets Between Sailors
e.p. hall
Eric Radoux

country-death1
The Country Death

Rhino’s All-Ages Club
8pm
Spank Ray
Red Bird
Applecore
The Country Death

alexander-the-great1
Alexander the Great

Collins Coffee House
7:30 pm
Spirit Spine
FESO
Impure Jazz
Alexander the Great

jenn-cristy1
Jenn Cristy (Photo by Mary Abreu)

Rachael’s Cafe
8pm
Jenn Cristy
Everybody
The Pirate Flags
You’re A Liar

Here is the tracklisting for the CD. It will be for sale at the show and around campus/town:

Jenn Cristy – Butterfly Wings
Alexander the Great – Tree of Knowledge
Impure Jazz – Huckleberry Tots
Eric Radoux – The Coroner
Trio in Stereo – Jupiter
Coyaba – Pressure
The Country Death – To Walk in the Garden
Red Bird – Red Bird
e.p. Hall – The Emporer’s Note
FESO – Old’s Kool
Everybody – A Pangea Coming
Jonah Malarsky – Bones
Spank Ray – Forever. Together. Forever…
Applecore – Two Guys, a Girl, & a Prosthetic
You’re a Liar – Big Bear
Secrets Between Sailors – In the Summertime
Tammar – The Last Line
Spirit Spine – How Soon?
The Pirate Flags – Medicinal Beer

NOISE 2 April 2009 Picture Review – Found Objects and Officer Deaf

NOISE 2 April 2009 (1 of 16)

Last night’s NOISE show was an actual “noise” show and it had its shining moments. I am always partial to Found Objects and this was no exception. I was also digging Officer Deaf for some weird electronic noise + loud drums. Here are some pictures and in honor of the Found Objects MySpace page, http://www.myspace.com/foundobjectsisart, I took some artsy pictures. Also possibly due to poor lighting, but I am not one for excuses. Enough small talk. Here’s the pictures, the rest are up on my Flickr:

NOISE 2 April 2009 (9 of 16)
NOISE 2 April 2009 (2 of 16)
NOISE 2 April 2009 (7 of 16)
Found Objects

NOISE 2 April 2009 (11 of 16)
NOISE 2 April 2009 (15 of 16)
NOISE 2 April 2009 (16 of 16)
Officer Deaf

Long live free shows and local music. Next week is Live from Bloomington Club Night which is shaping up to be awesome. More on that to come…