Coming Up This Week – Beach House, NOISE, The Hold Steady and More!

Here’s some stuff for this week:

Wednesday:

beach-house1

Spirit of ’68 presents…

Beach House
w/
Tammar
@The John Waldron Arts Center
Wednesday, April 1st
9pm
$12
All Ages

Or if Beach House isn’t your fancy…

drakkarsauna1

Spirit of ’68 presents…

Drakkar Sauna
w/
Busman’s Holiday
Thousand Arrows
@Bear’s Place
Wednesday, April 1
10pm
$6
21+

Thursday:

found-objects-collage-thing1

NOISE:
Found Objects
w/
Adeptive Radiation
Officer Deaf
Mindfreak With Mr. Flannelly & Associated Esteemed Colleagues
@Indiana Memorial Union Gallery
Thursday, April 2
8pm
FREE

This show should be kickass. Found Objects are one of my favorite local bands and I would recommend seeing them whenever you can. Nicole over at HipsterSpinster wrote a great article chronicling the band so check that out as well.

Saturday:

the-hold-steady1

Spirit of ’68 presents…

The Hold Steady
w/
The War On Drugs
Saturday, April 4th
@Jake’s Nightclub & Bar
8pm
21+

So that’s your week! Another great one from the looks of it. And next week there is even more good stuff including Live from Bloomington Club Night and Dinosaur Jr. Life is good, right?

The Weekend Picture Review – Morrow, Skin Mags, Tammar, and SKASEII

Night Bus

Well this weekend was pretty much a blur. It went by too fast and I got almost no sleep. So now I present my weekend to you. Morrow was great at NOISE, Skin Mags rocked The Clinic, and Tammar and SKASEII made a surprise birthday party worth remembering. I was pretty busy so I only caught bits and pieces of certain shows. All the shows I did see were great, including the We Just Call It Roulette release show at Russian Recording, which sadly, I did not get any pictures of. But without further ado, I present snippets of Bloomington this past weekend:

Morrow at Noise 26 March 2009 (6 of 6)
Morrow at Noise 26 March 2009 (5 of 6)
Morrow

27 March 2009 (3 of 16)
27 March 2009 (1 of 16)
27 March 2009 (2 of 16)
27 March 2009 (5 of 16)
Skin Mags (w/ special appearance by Michael Hodges)

27 March 2009 (13 of 16)
27 March 2009 (12 of 16)
Tammar

27 March 2009 (15 of 16)
27 March 2009 (16 of 16)
SKASEII

Sorry to all the bands I missed. This weekend was super hectic for me. Stay tuned for announcements about all the great shows this week!

This Weekend – Ladybug Transistor, We Are Hex, and We Just Call It Roulette V.2

After checking out the free NOISE show tonight, this weekend has a ton of options for your viewing/listening pleasure. Here are just a few:

ladybug-mta-museum-1-1

Spirit of ’68 Promotions presents…

The Ladybug Transistor
w/
The Delicious
Friday, March 27
@Bear’s Place
10pm
$6
21+

Or if you are underage/prefer sweaty basements and didn’t get enough of We Are Hex on Thursday…

wearehex3
Photo by Austin Warnock

Bands + Beerthday at the Clinic
Featuring:
We Are Hex
Resting Rooster
Grandchildren
Rad Racket
Skin Mags
Friday, March 27
@The Clinic (9th and Washington)
10pm
FREE
All Ages (I mean, it’s a house show)


Saturday:

wejustcallitroulettev2

Spirit of ’68 Promotions Presents…

We Just Call It Roulette V.2 CD Release Show
Featuring:
Medusa
Child Bite
Beyond Things (formerly Ephemeroptera)
Saturday, March 28
@Russian Recording (1021 S. Walnut)
9pm
6$ (includes the compilation CD)
All Ages

Some information about the compilation from Facebook:

“The new CD contains 13 tracks, including 3 exclusive recordings from Child Bite (detroit), Valina (austria) and The Cover Band (members of wesh, the coke dares, push-pull and magnolia electric company). Other bands appearing on the compilation:

Medusa
Beyond Things
Defiance, OH
Prizzy Prizzy Please
Kentucky Nightmare
Sump Pumps
Trio In Stereo
Everthus The Deadbeats
Lafcadio
Sheasby Matiure and the Mbira Queens

Altough there is entirely new artwork (by Shawn Knight of Child Bite), the packaging is still the same… letter pressed, die cut, silk screened and hand numbered in a match book box with magnetic snaps.

The cost of $6 gets you admission and includes a copy of the CD. If you cannot make the show, the compilations will be available at Landlocked and TD’s for $7.”

This should be a great show. Medusa is supposed to be pretty brutal.

There is also a “secret” show on Friday night that is technically a surprise so I might be there snapping some photos but I can’t announce it now…so stay tuned.

Secrets Between Sailors and We Are Hex @NOISE Tomorrow!

Secrets Between Sailors
Secrets Between Sailors

We Are Hex
We Are Hex

This should be a good show. I’m most excited to see We Are Hex from Indianapolis, who will also be playing at The Clinic on Friday (more on that later). They have a sound unlike any band around here I have heard. But you can decide for yourself when you see them Thursday and Friday at FREE SHOWS. Anyway, here is the info:

Secrets Between Sailors
We Are Hex
Morrow
Ryan Helling
@Indiana Memorial Union Gallery (next to Starbucks)
Thursday, March 26
8pm
FREE
All Ages

InInIn’s South by Southwest Coverage

SXSW 2009 is over. And it was awesome. I got back from Austin around 2 AM Monday morning and then went to class 7 hours later. That was fun. But I have gone through thousands of my pictures just for you! I saw a lot of bands. Some I know the names of and others I don’t know and probably never will.

My favorite shows were Wovenhand and (just as I predicted) Monotonix.

Austin was a blast and I miss all the blipsters, altbros, mexicalts, texalts, and the crazy Japanese metal band wandering around 6th street. All my photos are up on Flickr if you want to check out the big (good) versions:
SXSW Day 1
SXSW Day 2
SXSW Day 3
SXSW Day 4

Here are some highlights:

Warning: This post now contains Monotonix manass

Day 1:

SXSW Day 1 (1 of 11)
Deer Tick

SXSW Day 1 (9 of 11)
Wavves

Day 2:

SXSW Day 2 (7 of 29)
Kap Bambino

SXSW Day 2 (12 of 29)

Richard Swift

SXSW Day 2 (16 of 29)
SXSW Day 2 (15 of 29)
Mt. St. Helens Vietnam Band

SXSW Day 2 (18 of 29)
Bishop Allen

SXSW Day 2 (20 of 29)
SXSW Day 2 (23 of 29)
BLK JKS

SXSW Day 2 (25 of 29)
SXSW Day 2 (29 of 29)
SXSW Day 2 (27 of 29)
Dinosaur Jr. (w/ Kevin Drew)

Day 3:

SXSW Day 3 (7 of 14)
SXSW Day 3 (6 of 14)
Wovenhand

SXSW Day 3 (10 of 14)
SXSW Day 3 (14 of 14)
More Deer Tick!

Day 4:

SXSW Day 4 (1 of 80)
SKASEII

SXSW Day 4 (7 of 80)
SXSW Day 4 (8 of 80)
SXSW Day 4 (9 of 80)
The Thermals

SXSW Day 4 (11 of 80)
SXSW Day 4 (14 of 80)
Lucero

SXSW Day 4 (21 of 80)
SXSW Day 4 (25 of 80)
SXSW Day 4 (41 of 80)
SXSW Day 4 (49 of 80)
SXSW Day 4 (45 of 80)
SXSW Day 4 (60 of 80)
Monotonix

SXSW Day 4 (62 of 80)
SXSW Day 4 (64 of 80)
Circle Jerks

SXSW Day 4 (79 of 80)
SXSW Day 4 (71 of 80)
SXSW Day 4 (78 of 80)
SXSW Day 4 (77 of 80)
SXSW Day 4 (67 of 80)
Black Lips

Thanks Austin, maybe I’ll see you next time.

Edit: I could have posted a million pictures of Monotonix so be sure to check my Flickr for the rest of those

Off to Texas

Robert Frank road pic

Well devoted readers, I am off to Austin tomorrow morning. I’ll be up bright and early. I’ll try to keep you a little updated but be prepared for a lot when I get back. I’m excited and a little anxious. My real thoughts about SXSW are summed up brilliantly by Carles: http://www.hipsterrunoff.com/2009/03/i-am-going-to-an-elite-music-and-technology-conference.html

Don’t cry though.
I’ll be back soon. <3

Daft Funk: Daft Punk Rediscovered

daft-punk
Daft Punk

Daft Punk has been around the electronic music scene for well over a decade, but they exploded with 2001′s Discovery. (The link is to the last.fm page where you can listen to the whole album for free, which I highly recommend you do if you have been living under a rock and have not heard it). Daft Punk is the collaboration of two French DJs, Thomas Bangalter and Guy-Manuel de Homem-Christo.

Here’s the thing: they are DJs.

I will clarify. This is no way means that their work should be regarded any differently. I love many mashup artists and DJs, and I think that once they get a hold of a song they can completely reinvent it into an entirely new creative work. And that’s what it should be treated as; creative work. I like Daft Punk but I am currently burnt out on them due to massive oversampling by other DJs. Which is also another weird thing; DJs sampling DJs who have sampled obscure ’70s funk and disco. What a crazy world we live in.

edwin-birdsong

I just want to educate the people. Everybody has heard Harder Better Faster Stronger. But, did you know that it heavily samples Edwin Birdsong’s, “Cola Bottle Baby?” Probably not, because not many people (including me) have not heard of Edwin Birdsong.

This post is just to let you kids know that this stuff existed before Daft Punk came and put their own spin on it. Daft Punk took funk and added robots. Cola Bottle Baby may have been made decades ago but it sounds fresh to me and I’m glad that Daft Punk gave it new life. That goes for all the songs that they sample. Now, I’m no funk expert but allow me to educate you a little bit. There are plenty of these funk songs floating around the interwebs but here is a collection of many of them. This is by no means exhaustive, but it gives you an idea of the vast funk knowledge Daft Punk must possess to do what they do. Respect.

Here’s an insightful little blurb to go with the album (I didn’t write this):

“Listening to Discovered also makes you realize that Daft Punk are an even better production team than you might have realized. Better listeners, anyway: Sure, they swiped huge, obviously recognizable chunks of Little Anthony & the Imperials’ “Can You Imagine” and Edwin Birdsong’s “Cola Bottle Baby” for “Crescendolls” and “Harder, Better, Faster, Stronger,” respectively, but they also bolstered, tweaked, and manipulated them to sing in ways that the originals simply don’t. That’s the secret of sampling: transforming what you started with until you make it your own. It’s hard to believe most of the tracks on Discovered would be well remembered, even by rare-disco fiends, if Daft Punk hadn’t done just that.”

Discovered: A Collection Of Daft Funk Samples
Tracklist:

01. 04:55 Breakwater – Release The Beast (Robot Rock)
02. 03:09 George Duke – I Love You More (Digital Love)
03. 05:13 Edwin Bridsong – Cola Bottle Baby (Harder, Better, Stronger, Faster)
04. 08:10 Cerrone – Supernature (Verdis Quo)
05. 02:57 Tata Vega – Get It Up For Love (Da Funk)
06. 08:38 Karen Young – Hot Shot (Indo Silver Club)
07. 05:32 Chaka Khan – Fate (Music Sounds Better With You – by Stardust)
08. 03:54 Sister Sledge – Il Macquillage Lady (Aerodynamic)
09. 05:40 Oliver Cheatham – Get Down Saturday Night (Voyager)
10. 05:08 Eddie Johns – I Put A Spell On You (One More Time)
11. 03:08 Little Anthony & The Imperials – Can You Imagine (Crescendolls)
12. 03:23 Jerry Goldsmith – The Rec Room (Around The World)

Download that bad boy!

Again, if the link doesn’t work right then let me know. This is not an mp3 blog so I don’t usually mess with Mediafire.

InInIn’s Picks for SXSW!

overwhelmed

The South By Southwest festival awaits! I will be heading down Tuesday to Austin, Texas for four days of debauchery and great music. You can follow my Twitter to track where I am and what I am doing. It would be impossible for me to see all the bands that I want to see, but I have a few things that I don’t want to miss…so here they are, my personal picks for the festival:

Thursday

During the day…
lose-control-party

Lose Control!
@Canvas Bar & Gallery (105 E 5th Suite 113)
21+
Friend of the blog, DJ SKASEII will be performing right at the crack of noon! Other artists, including The Hood Internet will be performing throughout the day and night.

In the nighttime…

Secretly Canadian Logo

Secretly Canadian/Jagjaguwar/Dead Oceans & Youtube Showcase
8:25pm – 2am @Mohawk and the Mohawk Patio (912 Red River St.)
All Ages

Featuring:
Mt. St. Helens Vietnam Band
Julie Doiron
Foreign Born
These Are Powers
Women
Richard Swift
Bishop Allen
Phosphorescent
BLK JKS
Akron/Family
Special Guests


And for a crazy night…

MONOTONIX!!!

monotonix

I don’t think I can stress this enough: GO SEE MONOTONIX. It is an experience that everybody should have at least once. They are 3 sweaty, hairy dudes from Tel Aviv, Israel. I saw them when they played the Blue Bird last year and it was by far the craziest concert I have ever been to. You will leave drenched in beer and sweat but hey, that’s how rock n’ roll should be. This is basically how the experience goes:

Monotonix are playing four times at SXSW:

Wednesday: Red Bull Moon Tower – 3AM
Thursday: KVRX Party @ the Ballet – 2:30AM
Saturday: Mess With Texas @ Waterloo Park – 6:15PM and Panache Showcase @ Mohawk – 1:00AM

Saturday

sxseattlelogo

SXSeattle
Noon – 6pm @Palm Door (401 Sabine)
All Ages
FREE

Featuring:
Blue Scholars
Common Market
Past Lives
Barcelona
Natalie Portman’s Shaved Head
New Faces
Mt. St. Helen’s Vietnam Band
Dynah
Hey Marseilles

I’m excited about the Blue Scholars, as they are one of my favorite hip hop groups. I doubt they will be coming toward little ole Indiana soon so I hope to catch them while I can. They are scheduled to play at 5:15pm.

Well that’s all I have for now. Obviously there are about a million bands playing that I want to see, but I won’t list them all. I hope to make it out to see The Handsome Furs, Circle Jerks, Eli Paperboy Reed & The True Loves, Wovenhand, and much much more.

Here We Go Magic, Callers, and Vollmar @The Cinemat. A Review in Pictures

I saw these bands last night at The Cinemat and it was a great show. All of it was folk or folky type stuff. Katie McKenna from the Live Buzz was there and should have a real review of the show up soon. Here are some of the pictures that I took. You can find the rest on my Flickr.

Here We Go Magic, Callers, Vollmar (4 of 13)
Vollmar

Here We Go Magic, Callers, Vollmar (1 of 13)
Vollmar

Here We Go Magic, Callers, Vollmar (9 of 13)
Callers

Here We Go Magic, Callers, Vollmar (6 of 13)
Callers

Here We Go Magic, Callers, Vollmar (13 of 13)
Here We Go Magic

Here We Go Magic, Callers, Vollmar (12 of 13)
Here We Go Magic

Here We Go Magic, Callers, Vollmar (10 of 13)
Art!

The lighting changed pretty drastically for Here We Go Magic so I decided to get artsy on you. But they are psychedelic folk, right? So it works, right?

Edit: The concert review is now up on the Live Buzz.

My Problem With Rolling Stone

jack-nicholson-scary
I mean, besides this cover

I subscribed to Rolling Stone magazine for about four years. I thought it was neat back in the day, being the first magazine that I actually paid to get every month. Now, to paraphrase Zack De La Rocha, there has been a rage building inside of me while reading this magazine of hypocrisy. If this was just another music magazine then it wouldn’t warrant so much of my attention. But this is Rolling Stone. The same Rolling Stone that was home to Hunter S. Thompson and Robert Altman.

I enjoyed Rolling Stone for a couple of years. The first album I ever bought was Ricky Martin’s self-titled album. So I wasn’t always into music, and Rolling Stone worked with that. They gave me all the advertisements and fashion stories that I couldn’t get from my television. Rolling Stone also exposed me to new bands, for which I am eternally grateful. There have been a few, but none more important to me than Kings of Leon (this is circa Aha Shake Heartbreak, before their sound was tainted by legions of screaming British teenagers).

Kings of Leon
Kings of Leon

Now, I love the Kings of Leon, and in my opinion they are the greatest southern band since Lynyrd Skynyrd. They renewed my faith in modern rock music. So, after Rolling Stone cried tears of joy all over their second album, Aha Shake Heartbreak, and ran a feature about their fashion, I decided to pick it up while it was still soaking wet. Needless to say, it was, and still is a great album. Now, after giving thanks, I have to wonder what the hell is going on in the minds of the people working at that damn magazine. I have pondered this, and the only solution I can come up with is that they don’t read back issues. They just put out the newest issue and erase what they have just written from their memories. Granted, they have many different writers working for them, but I think that a couple of editors wouldn’t hurt, if only for some sort of continuity (not counting their layouts, which, from a graphic design standpoint, have very little variety, but that is a topic for another time).

What am I talking about?

In Rob Sheffield’s review of the Kings of Leon’s 2007 offering, Because of the Times, he can’t help but drool over how great it is. I have no problem with that. I love the album. What I do have a problem with is his quick history of the band. He explains that they came onto the musical scene quickly and “they weren’t any good.” Hmmm… really? I wish somebody could explain to me why Rolling Stone gave their first album, 2003’s Youth and Young Manhood, four stars, the same as Because of the Times. If they weren’t any good then, why does their “best” album get the same rating as their “worst”? Also, a band that tours with Bob Dylan can’t be that bad, right? I mean, the big man himself said that listening to them play “Trani” (from their first album) was the most fun he had had in years.
Just because Rolling Stone hated Led Zeppelin and gave Nirvana’s Nevermind three stars (::cough:: less than Fall Out Boy’s Infinity On High ::cough::), does not mean that they lose all musical credibility. However, when Led Zeppelin are given an album cover as “The Heaviest Band of All Time” and Nevermind is in the top twenty of the “500 Best Albums of All Time“, then there is a problem. I mean, I personally think Nirvana peaked with Bleach, but saying that “Nirvana isn’t onto anything altogether new” would get anybody today at that magazine fired quicker than writing an article supporting Bush the second.

nirvana
ledzeppelin
Some cruddy bands from like, forever ago

So, I hereby renounce my subscription to Rolling Stone and am currently without a magazine subscription in my name. That’s right, I am single now, and looking for a spicy new magazine that preferably focuses on music. And please, if you don’t like my opinion, please listen to Glenn Danzig, who has better reasons to hate the magazine. So, I leave you with words of wisdom on Rolling Stone from the Misfits frontman himself.

“It’s just an old hippie magazine who really love putting Beyoncé and Britney Spears and Christina Aguilera on their covers. So why would I care about a magazine like that? It is not a real music mag anyway.”

If you ever read this Rolling Stone…I would still work for you because I could do more damage inside the system.